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‘Cindy writes not just as an artist, but as somebody who has actually done the work in the trenches of church ministry. She offers wise guidance to all who want to help artists bless the church.’
‘Cindy writes not just as an artist, but as somebody who has actually done the work in the trenches of church ministry. She offers wise guidance to all who want to help artists bless the church.’
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Katherine Millar is eighteen and desperate to be less fat, less swortty, and to have cooler friends. But most of all she wishes she had two parents, instead of one grandma, poll.
Fiona Sweeney wants to do something that matters, and she chooses to make her mark in the arid bush of northeastern Kenya. By helping to start a traveling library, she hopes to bring the words of Homer, Hemingway, and Dr. Seuss to far-flung tiny communities where people live daily with drought, hunger, and disease. Her intentions are honorable, and her rules are firm: due to the limited number of donated books, if any one of them is not returned, the bookmobile will not return.
But, encumbered by her Western values, Fi does not understand the people she seeks to help. And in the impoverished small community of Mididima, she finds herself caught in the middle of a volatile local struggle when the bookmobile’s presence sparks a dangerous feud between the proponents of modernization and those who fear the loss of traditional ways.
They kidnapped him in a small town In Brazil. He had changed his name and his appearance, but they were sure they had their man.
Four years before, he had been called Patrick S. Lanigan. He had died in a car crash in February 1992. His gravestone lay in a cemetery in Biloxi, Mississippi. He had been a partner at an up and coming law firm, had a pretty wife, a new daughter, and a bright future. Six weeks after his death, $90 million had disappeared from the law firm. It was then that his partners knew he was still alive.
The evening’s host is billionaire Edmond Kirsch, a futurist whose dazzling high-tech inventions and audacious predictions have made him a controversial global figure.
The discovery of a dead body shatters the tranquillity of a Cotswold village in Ann Granger’s second Campbell and Carter mystery. When old Monty Bickerstaffe finds a dead body in his drawing room it comes as a nasty surprise – the first of many.
With his own boat, the motor yacht sea fox, formal naval officer Philip Vivian had hoped to earn a living free from the petty restrictions of everyday life, close to the sea he loved.
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