Nigerian/African

Ezeulu, the chief priest of Ulu, finds his authority is under threat. He has rivals in the tribe, in the white government, and even in his own family.

Surrounded by trouble, he adopts an increasingly cosmic view of events: surely, in the battle of deities, he is merely an arrow in the bow of his God? Armed with such ideas, Ezeulu is prepared to lead his people on, if necessary to destruction and annihilation. The power of the people, however, reasserts itself.

On democratization, we know that we have not been obeying the rules of the road since we started the walk on the democracy highway on May 29, 1999. Everyday that passes shows that we are unwilling to make our democracy work. We have blatantly abused the ballot. We are angry at dissent.

Aso Rock and the Arrogance of Power is a sequel to NIGERIA’S GHANA-MUST-GO REPUBLIC: HAPPENINGS.

eke is a troubled young man living in the suburbs of cape town. He develops strange habits of stalking people, stealing small objects and going from doctor to doctor in search of companionship rather than cure.

Nigeria today appears rudderless, with no particular direction…our country has no purposeful destiny that we can say with conviction is our lodestar. Our citizens are increasingly unsure, what being a Nigerian means….

Kingsley Moghalu has been nurturing his political philosophy for many years, while serving his country in the field of banking and finance. At a time of great change and challenge, he now offers a practical and compelling roadmap for achieving Nigeria’s long-slumbering potential.

This volume is based on essays presented at the international conference on D O Fagunwa held in Akure, Nigeria, in August 2013. It situates Fagunwas work in broad intellectual and disciplinary contexts, viewing literary creation as both a distillation of a variety of disciplines and an ongoing conversation with them.

In this fascinating but often harrowing read, five fictional Nigerian women and girls tell their stories of sexual, physical, psychological, mental and verbal abuse in the hands of men and sometimes fellow women.

In detailed flashbacks, they describe horrific experiences that have molded them into the bitter, strong or victorious women that they are today.

At fifteen, Njideka is caught in the deep political turmoil beleaguering Nigeria. When the government arrests and tortures her father following a peaceful protest, he returns home a shadow of himself: a changed man. Njideka’s family begins to break apart under the yoke of a reckless regime. It is story of hardship, abuse, and the resilient spirit of those desperate to the air of freedom.

“With the Eyes of a Goddess, Ukamaka bursts onto the literary scene as a tender, alluring storyteller worthy of a large, devoted readership. Her novel seizes one’s attention from its opening sentence-and never lets go.

Warri, October 1992 seething with idleness and nonchalance, sick of watching his parents fight, 16-year-old Ewaen is waiting for university to begin, waiting for something to happen.